Shereen Ladha’s Roots will take you on a magical journey of colour and sound

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Roots: A Journey Through India is a show that combines dance, music and history. It comes to the Rose Theatre in Brampton, Saturday, Feb. 18 at 7 p.m.

Whenever I chance upon something amazing: a good book, a watchable movie, an incredible entrée or even an interesting conversation, there’s a good chance, I will not simply shut up about it.

Sometimes, I even write a whole blog.

So pretend for a moment, these words are being delivered via a bullhorn.

I, for one, plan to stop by the Rose Theatre in Brampton, Feb. 18 at 7 p.m. to watch Roots: A Journey Through India.

Having sampled a small snippet on video (you can watch the earlier post), I know it’s just the kind of thing to appeal to all my senses— high-energy dance, opulent costumes, familiar Bollywood tunes and a story line.

Shereen Ladha, 29, the director and creator of Roots as well as owner of popular YouTube channel, dancewithSL has conceived the show by combining her love for dance and choreography, India and Bollywood music.

When she started dancing at four,it was because it was, “so organic, almost like breathing.”

Then on, it was all hard work and grit and following the path.

Magnificent, mesmerizing and magical

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Shereen Ladha, creator and director of Roots: A Journey Through India is a versatile artist proficient in many genres of dance. Supplied photo

Roots can be described as a panoramic, visually stunning musical show that through Shereen’s signature vision wefts and weaves silken threads of romance, laughter and drama through several touchstones of India’s cultural heritage. The rich tapestry is sewn together with Bollywood music.

“I think what makes Roots so unique is its multi-generational and multi-cultural appeal,” said Shereen who considers Madhuri Dixit and Michael Jackson her idols. “It will remind our grandparents and parents of home; the younger generation will connect to our heritage and for people of other cultures, Roots will demonstrate the length and breath of India’s cultural diversity and richness…”

By the way, the last two shows sold-out.

Some 16 or more talented artists execute Shereen’s vision on stage. Mississauga’s Shama Kassam, 26, is one of them.

ken_5721Shama and Shereen are best buddies bound by their passion for dance. When she’s not swaying to music, Shama channelizes her energy into making the body, mind and breath connection as a yoga instructor at Power Yoga Canada Mississauga.

Roots, must be watched to be believed, she says

“I, like many Indians and non-Indians alike, grew up with a love for classic Bollywood and have always been inspired by the feminine grace of movement in Indian dance styles,” Shama said. “My parents love Bollywood music and our house is always willed with Indian music from the 70’s to modern day. I also grew up with a lot of interest in Hip-Hop music and that influences the style of dance I love, and the types of music I’m drawn to.”

Naach baliye, naach

Shereen, a Toronto native is a choreographer, dance visionary schooled in many genres: Hip-Hop, Ballet, Kathak and jazz, all of which she assimilated by the time she was 10.

“Intense dance training is really at the heart of that (dance repertoire),” said the artist whose day job is working with a strategic consulting firm. “I’m a strong believer in having a good foundation in dance. I believe a dancer really should never stop learning, a reason why I started my Master Classes in Bollywood.”

Sorry? Nah, Maafi

You probably recall Shereen from her viral hit Maafi, a cover of Justin Bieber’s chartbuster Sorry. The remix video garnered almost a million views before Sony Music grabbed the copyright.

“One my friends wanted me to do a choreography piece to Sorry by Justin Bieber as part of my regular channel videos, but I thought the original video and choreography was so good that I wanted to do something more unique and put my own spin on it,” Shereen told TDD. “So I got my music producer, J-Raj, and my team on board and Maafi was born.”

On the video going viral she says:

“I think it’s one thing to have fame, however long or short-lived it is, and another thing to make an impact,” Shereen says. “Sharing my art, educating people about my culture, and changing perceptions though dance is something I value so much more, and I feel strongly that I won’t ever compromise the quality of my work to achieve any level of fame.”

Check out Maafi!

To buy tickets for Roots, visit here or call 905-874-2800.

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Jonita Gandhi sets all hearts aflutter with two back-to-back chart busters

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Toronto crooner Jonita Gandhi has been creating a buzz of sorts in Bollywood with her back-to-back hits for Dangal and Ae Dil Hai Mushkil

It took me weeks to de-addict myself from The Breakup Song (Ae Dil Hai Mushkil).

Just as I managed to wean myself, the Gilehriyaan track from Dangal has now ear wormed into my psyche.

Not a coincidence then that both these chart busters are from Jonita Gandhi, Toronto’s own nightingale.

A couple of years ago, I penned a blog about Jonita. This was around the time she was dipping her toes in the music industry in Bollywood. Jonita has since toured with the likes of Sonu Nigam and A.R. Rahman; worked with several top-notch composers to deliver multiple hits.

Often when journalists sit across from famous folks with our pens poised, we’re mostly unimpressed with titles or awards, what warms us is the individual’s passion for their craft and humility.

With Jonita, you can check off all those boxes.

 Here’s Jonita getting candid about success, her struggle and the smash hit : The Breakup Song

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Toronto crooner Jonita Gandhi. Supplied photo.

TDD: It seems the entire nation and desis around the world are humming your recent chartbuster – Breakup song. Tell us how did the chance to collaborate with Pritam Chakraborthy come about?

JG: Working with Pritam Da is an opportunity I always wanted. Though the Breakup Song isn’t my first release with him, I’m very thankful to have worked on this song with him. Quite a while back, I was called into the studio to record the beginning. At that time, it was just a scratch. I was called back to record the rest of the song some time later and several times after for lyrical changes, but I didn’t know until the song was released that my voice was kept in the final track.

TDD: The song’s upbeat, liberating and free, whereas breakup tunes are weepy. Your reaction when you heard the lyrics?

JG: I had so much fun recording the song because of the quirky lyrics. The dialogue at the beginning of the song is my favourite part. It gave me the opportunity to be over dramatic and playful. When I first heard it I thought, “wow this is definitely not how I would react to a breakup!” Ha!ha!ha! but I’m glad this song is what it is and I hope it helps people through their breakups.

TDD: How long have you been in Bollywood? What is it like tasting success?

JG: My debut in Bollywood happened in 2013 with the title track of Chennai Express, so it’s been three years now. I am extremely grateful for all of the opportunities since then, to work with people that I had only dreamed of working with. No matter how much I grow in my career, I try to keep myself grounded and remind myself that there’s always room to improve and that I have a long way to go.

TDD: Did you have to go through a bit of struggle too in your musical journey? What was that like?

JG: Nothing good comes easy. When I first came to India, I came in as a blank slate. I had no contacts and knew nothing about how things work here. It took a lot of perseverance, patience and an open mind to keep working towards my goals. There were times where it got overwhelming for sure. But it’s all worth it. 

TDD: From Brampton to Mumbai – the highs and lows?

JG: Life in Brampton is extremely different than life in Mumbai. We take the weather for granted in Canada and complain about the cold, but we don’t have to worry about moldy closets in rain season and food spoiling so quickly because of heat like in India.

Traffic! You have to be good at planning your commute when you have to be somewhere on time because traffic in India is nothing compared to Toronto.

• Customer service is something we take for granted in Canada because we are so used to getting things resolved after putting in a complaint. It’s quite a struggle here in India to get to the bottom of a problem.

But I have to admit I love the fact that you can order almost anything for delivery in India.

TDD: Is there any incident in Bollywood (with a celebrity/actor) that you recall that still makes you chuckle?

JG: When I was called in to record Kahaan Hoon Main, both Rahman sir and Imtiaz Ali were present at the time. That day I had food poisoning and was throwing up non-stop throughout the day. When I received the call to come in to the studio, I couldn’t pass up the opportunity, so I was a trooper and went in. It took some time for the studio to be setup, so I asked the engineer to let me know when I was needed and went to lie down in another room.

Shortly after being called in to start recording I had to step out for a “bathroom break,” which was really for me to puke my guts out. That memory still makes me smile from time to time because only the engineer and I know how sick I was feeling that day. Rahman sir and Imtiaz had no idea. 

TDD: Bet you miss home…

JG: Over and above anything else, I miss my family. Whatsapp comes in really handy. I wish they could be here with me all the time, but I am glad to be able to go home every once in a while, and have them visit me from time to time as well. 

 **Amir Khan starrer Dangal hit the theatres in North America, Dec. 21.**

 

Non-verbal autistic teen from Toronto sings in three languages

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The two subsequent blog entries belong to Sahil Prashar, 17, and Gurvir Singh, 24. Both have disabilities and both have experienced bullying. I was able to put my life in perspective after meeting them. I hope you will too, after you read about them.

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Sahil Prashar, 17, is a non-verbal autistic teen and a savant who can sing in three languages. Supplied photo.

 The autistic teen with the voice of an angel

The 45-minute drive through the rural roads of Caledon and Orangeville took us into the bowels of inky darkness of a fall evening.
As the GPS announced our destination, all I could think of was: Why on earth would a desi family, with young children – Sahil and Jiya – choose to live in virtual isolation?

Minutes into my conversation, Anoop Prashar — Sahil and Jiya’s dad — as though reading my mind, answers my question.

Anoop and his wife Sudha Prashar chose to move away from the bright lights of city so they could escape the insensitive taunts families and children hurled at their non-verbal autistic son Sahil, 17.

In Hindi/Punjabi or for that matter in other Indian dialect, there’s a complete absence of language and word that has both sensitivity and compassion for individuals that don’t conform to a cookie-cutter mold.

So, people resort to the harsh and inappropriate “paagal” (or crazy). Imagine for a moment, how the reference may have made the Prashars wince. To toss the ubiquitous “Paagal” at anyone with autism, Down syndrome, learning disability or mental health, is cruel.

So, understandably when society gave them the cold shoulder, the Prashars tried spirituality.

“Those preaching/visiting temples and Gurudwaras are interested in chasing religion, not humanity,” observes Sudha who has had to watch her son being bullied at school. The adults too exhibited zero compassion.

Sahil, an extraordinary teen on the Autism spectrum, cannot speak, read or write, but he can sing. Boy, can he sing.

“Sahil has recorded more than 50 YouTube videos in three languages: English, Hindi and Punjabi,” Anoop shares. “Do you know any other 17 year-old with autism that can sing Marvin Gaye and other Motown hits, Michael Jackson and Lady Gaga along with bhajans and ghazals?”

That’s a truly impressive feat, except the Prashars are not social media savvy or well connected, so they have not been able to share Sahil’s gift with the world.

No takers/no supporters

On a recent day, when Sahil’s voice began to hit the notes of a spiritual song about a mother pleading to the deity, it took every ounce of willpower not to break down and sob.

The innocence on Sahil’s face as he stared into space, twisted my heart. His voice was pure.

A dad – who’s the breadwinner – leaves for work and interacts with others as part of his work, but a stay-at-home Mom’s sole focus is her child. She makes several journeys to hell and back, protecting him from pain, discomfort and the world. Worse, she has to hide her tears, so her son can see the strength and hope.

There’s no doubt, this vulnerable youngster, who cannot take care of himself or defend himself from his bullies , is enveloped in a warm and solid fortress of love. But, the question, one that likely keeps parents of  children with disabilities awake at nights is: what will happen to our child after us?

“Till date, Sahil has not had anyone his age come over to the house to play video games, he has not been invited to any birthday parties,” Anoop said. “To society, he’s invisible because he’s disabled…”

When their child was three, Sahil’s parents noticed he did not talk and missed key milestones. To their amazement, he would sing along to songs on the car’s radio.

“When he was a child, Sahil had this toy piano that he would play with until it broke,” his father said. “When it broke, we would go get another one (same make).”

This song is from the heart

Anoop, who works in the trucking/construction industry, decided to share Sahil’s incredible talent with the world, some three years ago.

Each day, he would play a song whose lyrics and melody Sahil would instantly pick, thanks to a photographic memory. Hours of practice later, the duo would record the number. The sound system they use is primitive and out dated, a second-hand Karaoke system that doesn’t capture the acoustics or inflection of sounds well.

When they had recorded a fair number of songs, armed with links to the videos, Anoop and Sudha knocked on doors of media/bloggers/YouTube influencers urging them to share Sahil’s gift. No one bit.

The Prashars are completely at loss. Music makes Sahil happy and all they want is to give him a stage on which he can perform and share his love for music.

“I want Sahil to be a world-famous Canadian,” Anoop said adding they would welcome any band/studio that was willing to work with Sahil.

To check out Sahil’s talent, visit his Facebook page here.

Brinda Muralidhar explores tangled ties in her debut film Knot Not!

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Dilip Krishnamurthy (Mohan) and Jessica Seigner (Patricia) filming a scene of Knot Not! in Mississauga. The film recently made its Canadian debut.

The making of a movie

Theatre, acting, stage and spotlights are entrenched in Brinda Muralidhar’s DNA.

So, having her debut film, Knot Not! premiered recently to a packed house, was Brinda’s ultimate homage to her Indo-Canadian roots.

The 1 hour 44-minute film about values, parental pressures and seeking ones identity, boasts an impressive line-up of local artists, most of who are relatively unknown, but bursting with potential.

Knot Not! is about what happens to your family when the parents are not on the same page,” Brinda explains. “In so many cases, one parent is tied down to the rules while the other doesn’t give a damn.”

And that’s how the film’s title came about: one parent is committed to preserving the knot of the marriage, while the other is not.

The premiere in Brampton was a sold-out one. This shows there may be a yet-to-be captured market for entertaining stories told from a hyper-local perspective

Shot in the GTA, Knot Not! has original music scored by Vinayak Hegde and Deepak Sant. It’s produced by Brinda’s soul mate/husband – Gunny, who’s also the cinematographer. Incidentally, it was Gunny, who came up with the idea for the film. Since communication at the Muralidhar home is unconventional, Gunny enacted his idea in a short one-minute narrative. Brinda was sold. She took on multiple responsibilities: director/screenplay/dialogues/editor and watched the idea grow and grow.

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Suniti Santosh (L) and Dilip Krishnamurthy in Brinda Muralidhar’s Indo-Canadian film Knot Not!

What’s Canadian film without a winter scene filled with snow, eh? Jessica Siegner told me one blustery winter day, Gunny and Brinda showed up at her Mississauga home after Ma Nature deposited some significant quantity of white stuff. They shot a particularly beautiful scene, framed against the beautiful backdrop of the Marilyn Monroe towers in Mississauga. I guess, it can’t get more Canadian than that.

The film showcases among other things, the stark contrast of family values from a desi’s perspective versus a Caucasian’s way of thinking.

Before this final version of Knot Not! there was an earlier one that was nearly 80 per cent ready, but Brinda and Gunny had to shelve the earlier version and re-shoot it all over again. Talk about teething troubles.

Initially, Knot Not! was supposed to be a 30-minute short film, but it took on a life of its own. This meant, the Muralidhars’ budget was shot to hell.

Brinda jokes the film’s finances are courtesy, “Bank of Muralidhar.”

The credentials

Brinda’s father­— Ramachandra Rao— was playwright and director, while her uncle (father’s older brother) M.V. Narayan Rao was a well-known stage and cinema artist/producer.

Canada however proved to be a fertile soil for Brinda’s artistic mindset because since she moved here, she has kept busy with more than a dozen stage productions in Kannada, English and Hindi. Brinda launched her film production company 1CanMedia Creations in 2013.

When the Muralidhars invited talent to audition for their film, they received dozens of responses. Brinda says she hated rejecting anyone because of a philosophy she inherited from her dad.

Her dad apparently would pluck an unknown, but eager artist from the neighbourhood to polish their rough edges and turn them into a brilliant theatrical gem.

Brinda says while shortlisting her actors to play Patricia’s role, Mississauga’s Jessica didn’t almost make it, but she had second thoughts and invited her to audition.

“As soon as Jessica walked into the room and said ‘hello’ to me, I knew that was the girl…” Brinda said.

Brinda said she started fleshing out the characters based on her actors as opposed to asking them to slipping into her vision. Dialogues and backstories were carefully crafted to include the artist’s mannerisms.

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Jessica Seigner (Patricia) and Dilip Krishnamurthy (Mohan) in Brinda Muralidhar’s debut film Knot Not!

Knot Not! Who’s there?

The film is about Mohan (Dilip Krishnamurthy), a South India arrives in Canada as an international student. In school, he befriends Patricia Smith (Jessica Siegner) a Canadian who guides him through his search for his identity.  Mohan’s parents Srinivas and Padma want their son to wed Lakshmi (Suniti Santosh), the beautiful daughter of their friend Bhaskar (Nat Pennathur).

Mohan does not want to meekly follow the path paved by his father, instead with Lakshmi and Patricia’s help Mohan discovers himself.

The film journeys through many plots and subplots and through comedy, drama and insightful scenes unties the tangled web of human relationships.

 

The maverick behind the Bollywood Monster Mashup reveals the secret sauce

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Vikas Kohli (centre) with the Bollywood Monster Orchestra. Photo by Jamie Espinoza

Have you noticed how animated some folks become when describing the antics of their child or a pet?

Picture that enthusiasm and multiply it with an outrageously high number to understand how invested Vikas Kohli is with the Bollywood Monster Mashup (BMM), an annual three-day festival in Mississauga, that he started six years ago.

(Wow, did I just use a Math metaphor?).  He also owns and runs FatLabs, a recording studio in Mississauga.

“I couldn’t have predicted how popular this festival has gotten in six years,” Vikas told TDD recently. “We continually have first-time performers in Canada, in fact, we’re at a stage where we’ve multiple headliners talking to us about wanting to be at BMM. People in Bollywood actually know about the festival now. How cool is that?”

 Sound castles in the air:

For some months now, Vikas, the artistic director of BMM and an award-winning composer, has been furiously working on arranging the music scores for the orchestra portion of BMM Finale concert.

The orchestra will deliver fusion sounds that combine old Bollywood songs with western influences.

“People often ask me, where can they find the band that played at BMM and I tell them, it doesn’t exist,” Vikas said adding, each and every musician that’s part of orchestra was handpicked and invited to perform at the concert.

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The string section of the Bollywood Monster Orchestra will play several Bollywood hits fused with other influences. Photo by Chris Scaini

On Saturday, July 23, the Bollywood Monster Orchestra and Mississauga Pops wind orchestra will deliver a number of retro Hindi songs with powerful string section and blend it with original scores created by Vikas’ musical sensibilities.

Vikas’ influences range from rock ‘n’ roll to jazz to hip-hop, metal and of course Bollywood. So, the sounds you hear will be unlike anything you’ve heard before.

Imagine arranging dozens of scores for a single event and then as the evening ends, the notes too disappear, never to be heard again.

“We create signature acts every year and no other festival does this,” Vikas said. “It takes six months of work and rehearsals to do this. I not only pick the songs, but also decide what kind of instruments to have on the stage. Then, I sit down and make musical charts for all the musicians.”

Once the band is assembled, they run rehearsals. That’s a lot of work for a free event.

The BMM Orchestra (Symphony Nights) on the main stage will include a traditional, classical European-string section delivering rich and beautiful sounds built on some evergreen Bollywood hits. We’re talking a 55-piece wind orchestra and 13-piece string one.

The three elements of BMM festivals:

  1. Artist debut in Canada: So far, all the headliners of the BMM for the past six years have admitted to Vikas afterwards about how bowled over they were by the euphoria and the vibe of the crowd. For these artists making their Toronto debut, that’s a big deal.
  2. Cross-cultural offerings: The BMM has done an exceptional job of fusing South Asian culture with mainstream, whether it’s tap dancing, orchestra or performances by dance ensembles. This year, Culture Rock, a Toronto group will wow the crowd with Bharatnatyam, waacking, hip-hop and more.
  3. Comedy Show: For the past couple of years, humour has been a staple of BMM. This year’s event in Brampton was just what the doctor ordered, a barrel of laughs.

For more information visit here.

 

Anarkali’s lead actor Kiran Rai basks in the show’s success

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Kiran Rai, who plays Anarkali, the lead actor in hit web series by the same name, also edits the episodes. Photo by Baljit Singh.

Behind the scenes of Anarkali

Through the making of two seasons of Anarkali, Rakhi and Kiran learned a ton of lessons.

Their guerrilla-style filmmaking: shooting each episode, spending hours editing it and then uploading the edition on YouTube, though not terribly efficient, was effective.

So, after the success of the first season, Rakhi and Kiran Rai (KayRay) decided on a more organized approach. Instead of flying by the seat of their pants, they shot and edited all of the episodes of season two in advance. Then, they confidently announced a date for the season opener.

Except, few weeks before the D-day, the hard drive crashed.

So, they scrambled, yes, guerrilla style, to meet the deadline. Ah well.

KayRay as Anarkali

Kiran Rai or KayRay has studied film, theatre and television and film making and was doing this and that, when Anarkali catapulted her into the stratosphere of success.

This Bramptonian incidentally also happens to be social media celebrity. Her video blogs (kayray) have more than 1 million views and she has racked up some 37,000 followers on Instagram.

Kiran believes the web series’ success can be traced to its honest narrative. We all know truth has its own unique taste, but telling it needs a bit of chutzpah.

“There was a lack of images and stories in our community about the truth behind brown women’s lives. We told it honestly and that’s why it’s a success,” Kiran says. “Even in Bollywood, the stories are more in the realm of fantasy than a reality. The stories told in Bollywood are not authentic to our experiences…”

“People are hungry and they want more (content that reflects their lives),” she continued. “People that watch Anarkali are not just young women, but men, queer folks and everyone else as well.”

Kiran’s stock as an actor appears to have risen exponentially with the show’s success. People are now offering her roles that have a bit of meat whereas, before, she relied on making her own films and starring in them to show off her versatility.

A trip to L.A. some years ago, convinced Kiran, she should dive into the deep end of acting, instead of dabbling in it.

“There weren’t enough people my age doing it (acting),” she said on why she was hesitant before. “Everyone around me said, acting wasn’t realistic and that I wouldn’t be able to make a livelihood, instead, I should do it as a hobby…”

Once she decided to pursue acting, Kiran signed up at an acting academy in Toronto to learn the trade.

Armed with all her knowledge, she then decided to make short films and start her own YouTube channel – kayray.

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Some cast members of Anarkali, a popular web series. L-R: Mandy KayBee, Gavan Anand, Kiran Rai and Seth Mohan. Photo by Baljit Singh

So far, this year, Kiran has been trying something new in front of the camera every day as part of her “Never Have I” series.

But, Anarkali has and will continue to have its own special place in her life.

“I have so many similarities with Anarkali,” she says. “Anarkali is a beautiful character who’s trying to find herself and she (like me) lives in a diaspora where two different cultures are constantly clashing. It’s nice to be able to resonate with someone that’s so much like the women around me.”

Kiran often gets ambushed on the streets by hard-core fans demanding she give up her foolish fantasy of getting together with Prince. It’s almost as if they have no clue that the web series is a work of fiction.

“I guess fans want to know why Anarkali is so hesitant to make the right decision (when it comes to her true love),” she said. “I think it’s almost as if they are asking themselves the same question, but through me…”

This is the conclusion of our two-part series.

 

Ramadan Kareem! Plenty to do in July ’16 in Toronto

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Popular Indian stand-up comedian Vasu Primlani will be the co-host at the TD Festival of South Asia taking place July 16-17 at Gerrard India Bazaar.

Friday, July 1

Event: Legends of Bhangra
Details: Celebrate Canada Day at Pearson Convention Centre, 2638 Steeles Ave. E. at 6:30 p.m. The U.K. band features: Balwinder Safri, Johal Premi, Apna Sangeet, Heera and others, all of who are putting on the show for the first time in Toronto.
Contact: Here

Wednesday, July 6

Event: MacEid Festival
Details: Dubbed one of the biggest Eid celebrations to hit Toronto, Muslim Association Canada’s (MAC) annual event will take place from 10 a.m. to 6 p.m. at the Enercare Centre, 100 Princes’ Blvd #1, Toronto. Highlights include a carnival with fun-filled rides, shows, sport tournaments and a variety of international cuisines.
Contact: Here

Sunday, July 10

Event: Concert
Details: Two of Bollywood’s biggest crooners–Sunidhi Chauhan and Ayushman Khurana–will perform a live concert at the Hershey Centre, 5500 Rose Cherry Place in

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Mississauga. Doors open at 6 p.m. (Hope, it’s not one of the IST events). Tickets cost from $45/person to upwards of $100.
Contact: Here

Friday, July 15

Event: Unplugged Eid
Details: Omni Promotions Canada is hosting an Unplugged Eid Gala at Milan Banquet Hall, 1989 A Dundas St E., Mississauga. There’s live music, food and more.
Contact: Here

Saturday, July 16-17

Event: Festival of South Asia
Details: The TD Festival of South Asia returns to Little India, Gerrard India Bazaar, for another year. Popular stand-up comedian Vasu Primalni will co-host this year’s festivities along with Randy Persaud. There will be a rangoli competition, entertainment, food, a literary and visual arts features, concerts and more.
Contact: Here

Saturday, July 16-17

Event: Festival of India
Details: Festival of India, one of Toronto’s most dazzling, summer events is here. The 44th Annual Festival of India (also known as Ratha-Yatra), organized by the Toronto chapter of the International Society for Krishna Consciousness (ISKCON Toronto) will be taking place as a parade down Yonge Street (beginning at Bloor and south to Queens Quay). Highlights include a vegetarian festival.
Contact: Here

Saturday, July 16

Event: BM does Brampton
Details: Bollywood Monster Mashup, will present an uncensored side of South Asian entertainment at the Bollywood Monster does Brampton: A Stand-up Comedy and Urban Music Showcase happening at the Spot1 Grill at 289 Rutherford Rd. S. at 9 p.m. Tickets are $10 when purchased online and $15 at the door. Television star, Ben Mathai will be headlining the event, while comedian-turned-entrepreneur Amish Patel will be in the limelight as event host.
Contact: Here

Friday, July 22-23

Event: Bollywood Monster Mashup
Details: The sixth annual Bollywood Monster Mashup, which includes a free Bollywood show, is happening at Mississauga Celebration Square. On Saturday, Aishwarya Nigan, the voice behind Salman Khan’s Munni badnam hui is the headliner. Also Symphony Nights: An original Bollywood arrangement by the Mississauga Pops Concert Band 55-piece wind orchestra is on the cards.
This year, the event brings includes special fusion acts, a bigger KidZone, more singers, dancers and musicians and more Bollywood dance lessons.
Contact: Here