This is part one of a two-part blog series.
Off the bat, I can guarantee one thing.
Watching one episode of the hugely successful web series Anarkali won’t do it. You’ll likely end up binge watching the entire two seasons.
The show will also stir a longing for your squad (if you’re caught in motherhood/career and your teenage years are a hazy blur).
The web-series created by the immensely talented Rakhi Mutta and edited by an equally competent Kiran Rai (lead actor/Anarkali) presents a vignette of a young desi woman’s life in North America. It’s told with humour, sensitivity, drama and melodrama.
The YouTube series is about a devastated Anarkali (Kiran) who gets dumped by her fiancée Prince (Gavan Anand). The slow unraveling of her life and identity post-breakup, is the premise of the show.
So far, Anarkali has become an Internet hit in over half-a-dozen countries around the world with some 20,000 YouTube subscribers and 650,000 views.
“A lot of people think Anarkali is the story of South Asian girls dating because of the way it’s branded,” Rakhi said. “For me, it’s much more than that. It’s one woman’s journey to finding more about her self.”
Mainstream and ethnic media, Rakhi said, do not reflect the truth of brown women’s lives when it comes to dating. This may be the reason Anarkli has wowed audiences world wide.
“I want to tell stories that people in my community, my family and my friends can relate to,” Rakhi said. “Stories that I never witnessed growing up, but I thought were critical.”
A handycam masterpiece
What’s worth underscoring here is that the cast and crew have produced a stellar product on a shoestring budget. Calling it a budget is bit ambitious. I am told, it’s a bartering system (pizza, as form of payment, as well as sustenance) .
Delivering a hit show with slow and clunky hardware and out dated software to me demonstrates class, substance and style. Just like athletes from third-world countries that win gold medals in Olympics wearing ratty shoes, Anarkali connects with the audience through pure storytelling.
“The way I portray certain characters, the lines I use and the conversations I include about stereotypes are all important to me as a woman of colour,” said Rakhi, who not only directs but writes the script. “For instance, in one of the episodes we had Anarkali and her friends dissecting Bollywood. Through that they talked about the feminist thought and what makes a feminist.”
In another scene, Roop’s (Amrit Kaur) boyfriend proposes to her and tells her to quit her job because he wants to take care of her. That gave Rakhi the perfect segue into discussing the independent woman (cough, cough, it’s Rakhi) who wants to make it on her own.
The complexities of desi women growing up in the diaspora are fodder for Rakhi’s pen. Each 10-minute episode tackles parental and societal pressures, boyfriends that come across as unqualified jerks, and a band of super crazy, loyal and fearless friends whose antics are never boring.
Three women and a road trip
In Nov. 2014, Rakhi had plans to attend a Sikh feminist conference in Detroit. The organizers asked her to collect two other delegates from Brampton. The two turned out to be: Rupi Kaur and Kiran.
The radio lay silent and as the car ate up the miles, the three women forged a solid camaraderie. Once they returned home, they kept in touch.
Watching Kiran’s mannerism reminded Rakhi about something or rather someone.
“You’re Anarkali!” Rakhi told Kiran one day.
The rest as they say
Rakhi shot the pilot episode of Anarkali in Feb. 2015 and then promptly sat on it for months because she was afraid it would bomb. Then, on Kiran’s insistence, she uploaded the episode to YouTube and waited.
To save face, Rakhi prayed for a minimum of 5,000 hits, but she was taken aback because the views exceeded her initial estimates.
Celebrations turned sour soon. An unscrupulous Facebook user scrubbed the credits from the pilot episode and uploaded the film through his Facebook account and disseminated it. The film spread like wildfire garnering some 32,000 hits, but no one on earth knew who had come up with the brilliant idea and the credit for the film becoming viral went to the thief.
The feminist in me salutes you
Rakhi, 35, created Anarkali when she was 19.
The well-fleshed and complex character was Rakhi’s own creativity at work. She detailed the life of every 20 or 30-something brown woman finding her way. The script caught dust as the filmmaker pursued a career in development.
“When I started travelling (for my development work), I wondered why the media did not tell me about these communities and their struggles,” Rakhi questioned. “Whose history is told? We know history is about ‘his’ story, so what does it say about ‘her’ story or ‘our’ story? The stories that were being told were often about the victor and oppressor, what about the other?”
This line of introspection led Rakhi to learn the nuances of photography. Shout out to her friend Natasha Daniel, who schooled her in the basics. Once she understood the lens, Rakhi found her calling. Her repertoire of works includes: Haneri, a film on mental health, an educational video on honour killings, Silent Struggles, that looks at elder abuse in the Punjabi Community and of course, the fictional (Anarkali).
You can watch two seasons of the show on YouTube. Shooting for Season 3 will start soon.
Next time, we will profile the show’s heart and soul, Anarkali aka Kiran Rai. Stay tuned.